Program Overview

• Each student on the programme has their own studio space within the shared PG Art studio area. You will be able to work alongside fellow students in Photography, Fine Art, Contemporary Textiles and Contemporary Crafts, as well as students across the School.
• The School has excellent facilities accessible to all students – darkrooms, print and textiles studio, 3d workshops (including glass, ceramics, jewellery, 3d printing), equipment loan store, and computer suites.
• All the teaching staff are creative practitioners/artists who have national or international standing and expertise. Invited speakers, artists/creatives, curators and theorists, also add to the creative mix. The teaching staff are passionate about the work we make and the work you make!
• The course is suitable for those interested in commercial and/or fine-art approaches to photographic practice.
• See our UH Photography Flickr page for portfolios and news of course and alumni activity.

Why choose this course?

This MA Photography award deals with the unique blends of fact, fiction, distinctive style and technical practices that characterize the many forms of contemporary photography, whether that is form a commercial or fine-art approach. It is about the ways in which traditional practices and digital technologies are coming together, developing new forms of photographic practices and bringing new possibilities for the creation, publication and exhibition of photographic imagery.

This postgraduate degree is concerned with communicating truths, stories, facts and emotions, it deals with persuasion and comment and the aesthetics of the image in ways which are visually rich and diverse. The widespread adoption of digital technologies to capture, edit, display and distribute photographic images has brought many new possibilities for the creation, publication and exhibition of work to a wide range of audiences and for a wide range of purposes.

The same technologies bring questions about precision and accuracy, the role of invention and imagination, and the way that the photographic image is received, understood and consumed in today's culture. You will work with traditional wet, analogue photographic resources, digital workflow facilities, or a mix of the two which is most appropriate to your personal practice.